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Queen of Tots

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GLITTER AND BE GAY In Living Dolls, an aspiring pageant girl receives a lesson from her coach
While flamboyance is fundamental to these men's personalities and professions, it has also landed them in hot water in the past. Most of the men contacted for this story were extremely reluctant to speak with me. Only a handful submitted to formal interviews. Others simply said no, while some never returned my calls.

Enlightenment came upon viewing two television specials—the fallout from which seems to have sent the men of Southern pageantry into the shadows. VH1's 2005 feature Little Beauties: The Ultimate Kiddie Queen Showdown was made with the cooperation of both Tim Whitmer and Michael Booth, a makeup artist and highly respected pageant director. The program shows Whitmer doing his stage routine, enthusiastically announcing little girls as they prance down the catwalk for judges. ("Kynnedy's favorite food is pizza Hot Pockets! Her ambition is to be a cheerleader!") He also narrated the special.

Whitmer, an exceedingly polite veteran of the U.S. Air Force, was the most resistant to my invitation to participate in this story. He declined repeated requests for interviews, saying that he was exhausted by the blowback from previous media exposure. "I'm tired of receiving hate mail," he said, adding that he has had to shut down his website so as to discourage detractors from haranguing him online. He was clearly burned by the VH1 special; perhaps his narration made him seem all the more complicit in what many viewers considered the exploitation of children.

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BETTER LIVING THROUGH PAGEANTRY Michael Galanes
Though Little Beauties presented some problems for the men featured, its tone is frothy compared to the downright damning Living Dolls: The Making of a Child Beauty Queen. Aired in 2001, the HBO documentary scored an Emmy for its portrayal of a pushy pageant mom and the over-the-top gay couple she tapped to coach her four-year-old to queendom. The two men, Michael Butler (he of "Let's Get It On") and Shane King, are depicted as adamant Svengalis to their young protégées, who include Butler's own daughter. (The whereabouts or role of her biological mother are never specified.) King, a master of stage presence and what can only be called hair sculpture, hoots and hollers for his clients at competitions. "Git it gurl!" he shouts in a deep-fried twang.

Living Dolls was one of the most talked-about documentaries ever shown on HBO, and while it clearly depicts Butler and King's genuine affections for the girls they coach, America made up its mind: These men were bad news. Online bulletin boards condemned them and the parents who hired them. Gay newsweekly the Advocate maintained that the film "confirms one's worst fears about this most glamorous form of child abuse."

Once again, it seemed that any publicity was bad publicity for pageant professionals.

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