Bad News BearersRanking the New York Times's worst reporters
NOT ON OUR WATCH In 1898 someone tried to add 1 to issue number 14,499 and came up with 15,000. The error went unnoticed until January 2000 Jack Fuller, a former Chicago Tribune publisher, once suggested that newspapers should give reporters batting averages. "Reporters who do not meet the simple standard of accuracy should not be taken seriously, however stunning their work may appear to be in other respects," he wrote. "Newspapers should overcome their reluctance to use quantified performance measures and begin rigorously counting up their accuracy score." When Fuller presented his plan informally to a group of editors, one dubbed it "insane." Maybe so. Serious journalists rarely make correction-worthy mistakes. A rate of two or three errors per hundred stories is about par for most. But then there are the outliers: those who make no mistakes, and those who make very many. So who are the sloppiest reporters at the paper of record? Radar spent three months slogging through the New York Times's archives from June 2005 to March 2007. We calculated the correction rate by first narrowing the field of stories to those with single bylines. Then we divided the number of screw-ups attributable solely to reporter error (those due to editing or in headlines, photo captions, or credits were excluded) by the number of stories written by that reporter within the timeframe. What did we find? To the Gray Lady's credit—and our mild disappointment—the great majority of corrections involved piddling mistakes like misspellings and wrong hometowns, which shouldn't be interpreted as incompetence. Nevertheless, the Times hates to make corrections, and corrections are what we have to judge her by. So herewith, a loosely scientific look at the best of the worst that the vaunted paper has to offer.
Stanley 1. Alessandra Stanley (10.2 percent correction rate) Stanley's fumblings are well-known to Times-watchers—including Gawker, an avid monitor. But while her correction rate is way above average, it's the carelessness—and occasional hilarity—of her missteps that has propelled her to the top of our list. In addition to incorrectly calling Everybody Loves Raymond "All About Raymond" and misnaming The Essential Bob Dylan "The Ultimate Bob Dylan," Stanley was one of the first journalists to trumpet—and mess up—Stephen Colbert's now well-known neologism, "truthiness." "Trustiness," she wrote in October 2005, "was [Colbert's] word of the day, he told viewers ... sneering at the 'wordanistas over at Webster's' who might refute its existence." Stanley, who oversaw the Times's Moscow bureau before becoming the Gray Lady's TV critic, spurred a political brouhaha in 2005 after she reported that Geraldo "nudged" aside an Air Force rescuer helping Katrina victims so he could do some hero-anchoring. Turns out, there was video footage that exonerated Geraldo: He hadn't made physical contact. Times editors saw no need to correct the situation until public editor Byron Calame objected, eventually prompting a clarification. The trip-ups have continued apace; just recently, Stanley wrote that ABC's Charlie Gibson had covered Bush's State of the Union address "from his desk in New York" and "hasn't exactly overexerted himself in his new job" as that station's World News anchor. She even saw fit to point out that he was on vacation while rival Brian Williams was in Iraq. In fact, Gibson was in Washington for the State of the Union and hadn't had a vacation in 10 months. "There are glaring errors in Alessandra Stanley's column today," wrote ABC News Senior Vice President Jeffrey W. Schneider, who went on at length in an open letter to set the record straight. Stanley bolstered her claim to the crown last July, when she informed readers of "an incorrect rumor about Ben Affleck and Jennifer Lopez" in a review of Tabloid Wars. The incorrect rumor was about Mr. Affleck and Jennifer Garner. When you're getting incorrect rumors incorrect, something's got to be wrong (even if the Times didn't see fit to issue a correction).
Roughly one in four of Douglas Martin's stories were corrected over the period we reviewed. So why isn't he at the top of the list? Martin, a former foreign correspondent, is an obituary guy, and while he's certainly on accuracy's shit list, his errors are mostly forgivable: listing a deceased wife as a survivor, omitting surviving grandchildren, misstating the date of death (details, details). You also have to cut him some slack for his beat—the average civilian's memory isn't so great, especially when they're eulogizing the recently departed. Martin has, however, mistaken a mother for a sister and incorrectly rendered the Russian word for "partisan" as "partinski" (it's "partizan"). And in 2005, his obit for civil rights leader James Forman resulted in the following abashed correction: "Mr. Forman asked for $500 million for crimes perpetrated against generations of blacks, not 'by' them." Oops. To make matters worse, in 2000 the reporter was called out on charges of plagiarism in a Times editor's note. He had lifted passages almost verbatim from the London Telegraph and the Times of London for an obit of Vera Atkins, a British war hero, and then explained away the deed by claiming that filching passages was standard practice among foreign correspondents. "Having been a foreign correspondent, I probably got too lax," he told the Boston Phoenix's Dan Kennedy. "I definitely won't be in the future." We've got our fingers crossed.
Stolberg 3. Sheryl Gay Stolberg (10.6 percent correction rate) Stolberg, who replaced Elisabeth Bumiller as the NYT's White House correspondent last summer, clocked in with an impressive 20 corrections during our study period. Most of her slips were garden-variety: a misspelled name here, a misplaced senator there. Unfortunately for Sheryl, high-profile beats bring high-level scrutiny. In a story about pork-barrel politics, Stolberg, who was a medical and science reporter for the Times before moving into politics a few years ago, wrote about allocations of $400 million to an aquarium in Connecticut and $750 million to the Missouri Forest Foundation to bolster the notion that congressional earmarks might be out of control. Turns out, it was $400 and $750 thousand. She also reported last October that Tom Delay "remains on the ballot" in the Texas district he once represented. He's not. And when Michael V. Hayden was going through Senate confirmation hearings for CIA chief, he said Congress should have been told earlier of the White House's domestic wiretapping program, which he oversaw when he headed the NSA. "If you want people at the crash," he said, "you've got to put them on the manifest," a quote Stolberg rendered as: "If you want people with the craft, you've got to put them on the manifest." But then no one knew what the hell he was trying to say in the first place. When Samuel Alito was undergoing confirmation hearings, Stolberg reported that the major polls showed a majority of Americans supported his confirmation. The reality: only one major poll supported the claim. And Sheryl, if we've said this once, we've said it a thousand times: Senator Michael D. Crapo is from Idaho, not Wyoming.
Seelye Seelye, who recently moved from the newspaper business beat to become an online political writer, is often tripping over herself. When Knight-Ridder put the Philadelphia Inquirer (where Seelye once worked) and Daily News up for sale last year, she wrote that the papers were expected to fetch $600,000, a significant savings over the $600 million asking price. In another slip-up, she said that the former owner of the Dallas Times Herald had let the paper "die" when he sold it long before it went out of business. Seelye also reported that the New Orleans Times-Picayune suspended publication for three days after Katrina when, in fact, the paper had famously continued publishing online. But we saved the best for last: Seelye, who covered Clinton in 1992, Dole in 1996, and Gore in 2000, once managed to misspell the family name of the New York Times's owners: It's Ochs-Sulzberger (with an e). Now that's an awkward elevator ride.
Pareles Any music critic will occasionally misidentify or misattribute an album or song, and Pareles can't be faulted much for that. He wrote, for example, that pianist Marcus Roberts wrote "New Orleans Blues," which he performed at a Katrina benefit in 2005. It's actually a classic Jelly Roll Morton tune. No biggie. But Pareles has also churned some doozies. The premise of his 2005 assessment of the band Broken Social Scene was that they were part of a burgeoning rock scene in Montreal. The article gushed about the city's "momentum" and the band's "Montreal exuberance." The band, of course, isn't actually from Montreal. The correction: "While a vibrant Montreal music scene indeed exists ... Broken Social Scene is not part of it; the band is based in Toronto." |
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